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De La Soul wasn't dead, however, as the trio returned to the studio for a 2000 release, (Number Nine Pop, Number Three R&B, 2000), part of a reported three-disc series.
Guest artists include Chaka Khan, the Beastie Boys, Busta Rhymes, and Redman.
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Featuring a generous verse from Snoop Dogg, “Pain” retains the classic De La sound with smooth, jazz undertones and seemingly effortless verses from the Long Island trio.
It’s almost like being transported back in time to the late ’80s/early ’90s, when De La Soul was beginning to carve out its own lane in Hip Hop culture.
The track is accompanied by an interactive lyric video game, in which the player has to dart around the lyrics as they rain down.
The next year, the group followed up with a second installment of the series, , 1996. The trio signed with indie label Sanctuary Records, a company known more for putting out new albums by older metal and hard rock acts than for its roster of hip-hop.
He played the tape for colleagues on New York's rap scene, and soon De La Soul signed with Tommy Boy. "Transmitting Live From Mars" set a sample from a French lesson record atop a sample from the 1968 Turtles hit "You Showed Me." The former Turtles filed a .7 million lawsuit, charging their music was sampled without their permission; the case was settled out of court for an undisclosed sum.Prince Paul produced the group's debut album,, a mock-game show soundtrack that introduced such De La terms as "the D. (Number 24 Pop, Number 1 R&B, 1989) yielded a hit single in "Me Myself and I" (Number 34 Pop, Number 1 R&B, 1989), set to a sample of Funkadelic's 1979 "(not just) Knee Deep." De La Soul then helped formed "Native Tongues," a loose alliance with A Tribe Called Quest, the Jungle Brothers, Queen Latifah, Monie Love, and Black Sheep.De La Soul came back strong in late 1993, however, with found the group stuck in neutral.Three singles — "The Bizness" (Number 53 R&B), "Stakes Is High" (Number 70 R&B), and "Itsoweezee (Hot)" (Number 60 R&B) — failed to stir sustained interest.
De La Soul's second album was an obvious reaction to the perception that its debut, however innovative, was "soft." Titled (Number 26 pop, Number 24 R&B, 1991), it took a darker, more serious tone with songs about drug abuse ("My Brother's a Basehead"), incest ("Millie Pulled a Pistol on Santa"), and the vicissitudes of fame ("Ring Ring Ring [Ha Ha Hey]" [Number 22 R&B, 1991]).
Critical and commercial reaction to the album was mixed.